91.7 Ann Arbor/Detroit 104.1 Grand Rapids 91.3 Port Huron 89.7 Lansing 91.1 Flint
Play Live Radio
Next Up:
0:00 0:00
Available On Air Stations

Renowned conductor Bernard Haitink, beloved for his modesty, has died at age 92

The conductor Bernard Haitink leading the Chicago Symphony Orchestra in an undated photo. Haitink died Thursday at age 92.
Todd Rosenberg
Courtesy of Askonas Holt
The conductor Bernard Haitink leading the Chicago Symphony Orchestra in an undated photo. Haitink died Thursday at age 92.

Renowned Dutch conductor Bernard Haitink died Thursday at age 92. The range of his work gives a glimpse of how much he was admired and beloved both in Europe and the U.S., particularly by orchestras and soloists who hailed him as a musician's musician, prizing the work itself over showboating and glamor.

Over the course of his long career, Haitink served as the chief conductor of the Royal Concertgebouw Orchestra in Amsterdam; music director of The Royal Opera, Covent Garden and Glyndebourne Festival Opera in the U.K.; principal conductor of both the Chicago Symphony Orchestra and the London Philharmonic; and principal guest conductor and then conductor emeritus of the Boston Symphony Orchestra.

He made some 450 recordings of orchestral music and opera, ranging from Mozart's Don Giovanni to a complete cycle of Shostakovich's symphonies, as well as complete cycles of the symphonies by Brahms, Bruckner, Mahler and Beethoven (the last three times: with the London Philharmonic Orchestra, the Concertgebouw and the London Symphony Orchestra).

His management company, Askonas Holt, announced his death, saying that he died "peacefully at home." No cause was given.

Bernard Haitink was born March 4, 1929, in Amsterdam. He grew up under Nazi occupation, a particularly frightening prospect given that his mother, Anna, was half-Jewish. His father, a civil servant named Willem, was held for three months in a concentration camp along with about 100 others as retaliation after a Nazi bookshop was bombed.

Haitink started out playing violin at age 9, and went on to study at the Amsterdam Conservatory. He won a seat as a second violinist in the Netherlands Radio Philharmonic Orchestra, but soon began studying conducting as well. Shortly thereafter, he became conductor of the radio orchestra — and perhaps it was his own experience, sitting in the back ranks of the violins, that made him so sensitive to the players as well as to the score.

In 1956, Haitink was asked to step in for conductor Carlo Maria Giulini at the Concertgebouw; at first, he said no, saying that he wasn't ready for the opportunity. At last he acquiesced — and it became the beginning of his six-decade association with that orchestra, which he led as chief conductor for 27 years before becoming its honorary conductor.

When Haitink was awarded Gramophone magazine's Lifetime Achievement Award in 2015, pianist András Schiff remarked of his friend and colleague, "Bernard is unique because, of all the conductors I know, he has the least ego. It's like a breath of fresh air! The way he loves music, and respects and reveres the great composers, and how he sees his role, is exactly as it should be: as a medium between the composer and the players and the listeners. He's not driven by the huge overblown egos of certain other conductors! ... Bernard is, I think, modest to a fault; he has such a fantastic conducting technique that he believes firmly that it's totally unnecessary to say anything to the orchestra, so if something goes wrong he thinks it's probably his fault...but it isn't! He's so modest and that's why all orchestras respect him."

Copyright 2021 NPR. To see more, visit https://www.npr.org.

Corrected: October 24, 2021 at 12:00 AM EDT
A previous version of this story reported that Bernard Haitink recorded the complete Beethoven symphonies twice; in fact, he recorded the cycle three times.
Anastasia Tsioulcas is a reporter on NPR's Arts desk. She is intensely interested in the arts at the intersection of culture, politics, economics and identity, and primarily reports on music. Recently, she has extensively covered gender issues and #MeToo in the music industry, including backstage tumult and alleged secret deals in the wake of sexual misconduct allegations against megastar singer Plácido Domingo; gender inequity issues at the Grammy Awards and the myriad accusations of sexual misconduct against singer R. Kelly.